Erotic geometry
How to solve the temptation equation? If x is e then body , and y - soul? Young practitioner architect and artist Yuri Fadeev reveals secrets of eroticism in the bdsm style (a type of sexual relationship based on - role distinction: the dominant controls, the submissive obeys - approx. author ).
In his graphics, Yuri Fadeev depicts different types of female beauty. These are soft and at the same time hard images, tightened by bandages and seasoned with appropriate attributes. Each composition is thought out, each pose is built according to the rules of human anatomical capabilities, is constructively correct and artistically stylized.
The works clearly show the contrast between the pliant ladies, fixed in complex poses, the abundance of subtle details and the strict simplicity of geometric figures, organically inscribed in these artistic compositions. This unusual and interesting combination seems to show us what self-expression through bdsm goes against some conservative and familiar to society ideas about the beauty of relations between the sexes. The author of the works wants to show this unusual philosophy through artistic language, giving food for thought even to those who are not yet ready to accept the fetish as a way of knowing their soul and body. As you know, "there was no sex in the Soviet Union" : Several generations grew up on this slogan, blushing at the mere mention of a shameful word, with thoughts of something forbidden, with candid magazines and other literature hidden under the bed.
In our time, sex and relationships between adults in general are finally treated without feigned disgust and denial of its existence, which, of course, gives a person more choice. Based on modern society and its capabilities, the artist seeks to discard the past with obsolete stereotypes and show a new sexuality without clichés. For him, fetish is not just playing with dominance and submission. Rather, it is a vision of the world and relationships that are based on liberation and trust in each other. The artist does not deny the essence of man, as he does Marquis de Sade (French philosopher, politician of the XVIII-XIX centuries, who described sexual gratification through causing pain to another - approx. author). For de Sade, it is important to satisfy his desires, following instincts, and a feeling of freedom, bordering on death.
The author, in his works, on the contrary, accepts a person, enjoys his images. For him, the main character is a woman, she is not a victim of sexual experiments, like in de Garden. She is a full participant in the relationship and voluntarily obeys dominant (someone who takes on the role of a leader in a sex play - author's note), which by design is not visible in this graphic scene. Perhaps, with this technique, the artist allows the viewer to take part in the process, slowly caress the heroines with his eyes and see their reaction.
Yuri uses an attractive piece of bdsm theme, beckoning and seducing. He carefully, with the precision of an architect, touches the theme of passion, mathematically verifying it and giving the opportunity to reveal itself to the fullest. Women in the paintings as if alive, they enjoy the moment, dissolving in the process and giving back emotions to the author and viewers .
The black ink graphics of these women are noir. It seems that they are vicious, but if so, then their viciousness is only in mystery and beauty. Undeniable aesthetic component, formal beauty, absence of vulgarity, subtle eroticism, reminiscent of a light train of expensive perfume.
Women are attracted to role play where they are weak and defenseless, this involuntarily captivates the viewer and gives him a short-term power over them, which he wants to accept with pleasure. The author seems to explores the boundaries of sexuality and deduces the formula of seduction. Is it possible? In the works of Yuri Fadeev brightly is burning life and, probably, that is why they are able to kindle the fire of fantasy. Listen to: what if dreams are already taking you into their world?
Text: Natalia Pushchinskaya